Impaled (2006) by Larry Clark.
“Larry Clark has this very special talent to make those young men so comfortable that they show themselves with all their kindness and naivety. He manages to get things many documentary makers can’t get. I don’t know how he does that, he must put them in condition, i don’t know if he cheats, but he manages to reach a complicity which makes them forget everything and open up. It’s a sociological document about nowadays sexuality which is quite unique and which says a lot about the standardization of young Americans sexual lives -totally biased by what they see on the internet. What they say about the way the girls must be is crazy. And they -the girls- comply with that. It’s not a male chauvinist problem, they all play the game!”
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From industrial music in the 1980s (with the band Nox) to an exploration of electronic and digital cultures in our day, Cécile Babioleʼs artistic trajectory has evolved laterally, cutting across the realms of music and the visual arts. Far from de rigueur interdisciplinarianism, her works move back and forth between one language and another, bleeding each code into the other in an ongoing reinterpretation of the relationship between image and sound.
Whether staged in the public realm (streets, busses) or in private venues (galleries, concert halls), her latest installations and performances (RPM, Shining Field, Doom, Iʼll be your Mirror, Circulez yʼa rien à voir, Reality Dub, Crumple Zone…) question our prevailing systems of representation –from an original and ironic angle.
More information about The Good Old Naughty Days [Deconstructed]